In Houston, if you’re an artist: whether visual, musical, literary, dance, theatrical, vocal, performance, or con, you eventually make a pilgrimage to Notsuoh, the social sculpture / perpetual performance art created by Jim Pirtle. Typically, the journey is neither planned nor wise, but it happens. You’ll find yourself pulled into the bar’s desultory conversations involving the profound and the mundane, the aesthetic and the philosophic, the political and the pop-cultural and